Dancemeditation 1: Tracing & Opening

Dancemeditation 1: Tracing & Opening

$18.50

New! Dunya’s signature Opening Sequence and Sand Tracings with optional narration track.

“Practice sequences are Thresholds. We do them in order to enter the Room, and for the Room to enter us. And what is the Room? The Room is the Presence, the Present. These sequences help us set our anchor in the tornado of Time, roping Time in until it spins around us and finally stops.”
–Dunya

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Description

New! Dunya’s signature Opening Sequence and Sand Tracings with optional narration track.

“Practice sequences are Thresholds. We do them in order to enter the Room, and for the Room to enter us. And what is the Room? The Room is the Presence, the Present. These sequences help us set our anchor in the tornado of Time, roping Time in until it spins around us and finally stops.”
–Dunya

The movements–designed to support your practice–encourage relaxation, flexibility, whole-body integration, coordination, and graceful strength. Doing the sequences with undivided attention and seamless concentration invokes a peaceful, meditative state.

Opening Sequence: This core Dancemeditation sequence of fluid breath-based stretches initiates and deepens an embodied meditative state.
Sand Tracings In these floor practices, being on the ground helps our body elongate as it strengthens. It encourages release, integration and healing.
DVD Features: Separate chapters allow you to practice with detailed verbal instruction for physical refinement, or with music only for a deepened meditative experience.

Choreography: Dunya Dianne McPherson
MUSIC: Kenji Shinagawa * kenjishinagawa.com
& The Latter Day Lizards * latterdaylizards.com

50 minutes  DVD

Your purchase of items and events through the Shop is tax-deductible. Your payment benefits Dervish Society of America, a nonprofit 501-C3 tax-exempt organization supporting the activities of Dancemeditation™.

Reviews

  1. Dunya Dianne McPherson

    “Fantastic! Dunya’s style of teaching movement from the inside out is so effective. Inspiring!”
    -–Anne Marie McDonald, educator, Weymouth. MA

  2. Dunya Dianne McPherson

    “I loved accessing movement organically and sensually versus externally. The pace is luxuriously slow and full, with tremendous integrity in the transmission of heart and essence.”
    -–anon

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