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Posts from the ‘Practices’ Category

Magic Roll

I’ve been traveling a lot and, while having a Dancemeditation Room is preferable, it isn’t likely. But I’ve had plenty of space to do Simple Side-to-Side Rolling. This is pure magic! It completely refreshes my spine, hip sockets, and organs, and wakes up fascial communications. It doesn’t take much space, or a special space. Any relatively clean rug will do. I throw down a thick blanket that is clean and I’m ready to go. For time, this works at ten minutes but may seduce you into going a lot longer. Also, this is an excellent practice to do if you are a guest since it will not weird out any host anywhere. Very useful! Read more

Me Time: Meditation

This article, reprinted from Dance Studio Life Magazine, was written as meditation basics for dance professionals (dancers, dance teachers and studio owners.)

Focus on Breathing for Healing and Balance
We love dance and all its benefits for body and soul. But running a business and teaching a physically demanding activity can be stressful. There’s a lot going on, and most of it requires focusing away from our own bodies and feelings. From my time as a professional dancer, dance professor, and meditation teacher, I know meditation gives us a moment with ourselves, Read more

Healing in Motion Radio Interview

I really enjoyed my conversation with Pamela Marie Edmunds, Certified Medium, on her radio show Wednesday, February 22, 2012 at 8pm.
Click here to listen.

Topic: Healing in Motion

A Little Chew of a Cue

In the morning workshop, after the ingestion period of all our breathing and movement, we moved onto an hour and a half excavate/integrate period with this cue: As you let your body move, be aware of all the little ‘in-betweens’. Of your fascia. Any small movement.  Be aware of your breathing.

Body Cues
In the flow of workshop, verbal cues are best when a bit vague, grammatically speaking—pointed but open, with room to explore. Read more

Shafi Chant

Practice: Shafi  Chant (To Cure, to Heal)

Lie on your back on a comfortable mat, knees bent, feet flat on the floor. You can rest your arms alongside you or rest your hands on your belly. Close your eyes. Be at ease. Connect your attention to your breathing. As you breathe, let your bones, your muscles, your organs, your fluids sink more and more heavily into gravity. Let you skin become tender. Let your skin breathe. Read more

Continuing with ‘no pain’

As I continue w. ‘no pain’ focus in daily practice,  I sometimes feel lost, foggy without those sharp edges to define the experience.

Pain has been the signal letting me know that I’ve reached the far extent of my sensory world. Pain has been my containment: I can go just ‘this far’ before it hurts. Read more

Hayy and After Hayy

We stood in a circle, holding hands, chanting “Hayy’. The chant was work, but work by a willing band of people knowing where we were going, willing to dissolve but stay with one another. The chant was a continual auditory negotiation, a choir tuning itself as energy burbled in flutes made of twelve sets of lungs, diaphragms, vocal chords, tongues, teeth, skulls. These flutes bellowed toward single sounded-ness. We struggled. I felt nauseous. Read more

Bonfire in a Dark Castle

Dunya: I love being back into my daily practice. (I let go of it for the summer– first time ever–just to see.) It feels wonderful coming home to it!!! Absence makes the cells grow fonder.
Catherine Ryder
: Did you really let go of it for the summer? I can hardly believe it. But I suppose to find the balance, that is good. Read more

Getting Practice Started

I’ve been a long-time advocate of having a dedicated practice space to help establish regular practice.  I have my room with the carpets and music all there and a set of practice clothes ready to put on. For the past  couple of weeks I also left my mat unfurled in the middle of the room so I could just walk in and get to it, but Read more

Rhythmic Breath

Practice: Rhythmic Breathing
Rhythmic Breathing tames straying, chaotic thinking, energizes your body, and evokes embodied present-ness. The breathing will be repetitive, shifting its pace and density as the body’s levels of oxygen and carbon dioxide adjust. The lineaments of the movement generally have a strong repetitive element as well, which calms the nervous system and settles left brain dominance, though the movement can be non-repetitive. Read more