In bed, alone, under two duvets to be warm on a cold night, I move with music in the earbuds. I focus on my right leg, which strokes the sheets, then my right side. Whoosh, a flood of tears. Strange chunks of brittle, wooden tears. Inside gloom in my skull I see Dad. Dad—-after he stopped breathing, when we were alone in the quiet room before the coroner arrived. Quiet. No longer hushed. Empty quiet. I sat in blunt shock of a din gone. His body cooled and stiffened. His skin drained and tightened over the bones Read more
Posts tagged ‘dancemeditation’
What is this medicine?
The protector. The underworld. The unconscious.
I lay on my belly on the beautiful Barn floor three days after being stung by a scorpion. (Walked across a floor in the dark barefoot. Sigh…) The music played. Everyone moved on his/her own. I felt the skin of my inner arm sliding along the floor and my torso cleaving downward. Then the sense of what had happened—a small creepy creature, a tiny nightmare, injecting me with its message—gushed through my nervous system. Read more
Part 1: Words of Wisdom: Relaxation and impulsiveness. Read more below.
Part 2: Follow Me: Floor Movement. This session we will be lying on the floor. Near the end, you will need a long veil or strap to loop around you foot and gently manipulate your leg’s the range of motion.
I finally stole a moment for my practice today amidst the chaotic situation I currently and uncharacteristically inhabit. I was alone in the house for 30 blessed minutes. Music played. I danced. And I thought about safety. I had stolen time, yes, but the room was not entirely safe. My antennae pricked up for the return of a car. I didn’t want to drop too far in and be abruptly disrupted or, like a molting snake, be discovered in a soft open condition. Intrusion. Interruption—these are very treacherous for me. Read more
This video is for Trish, who kvetched to me about not having the perfect space to do her practice. Hahahahah…
This from Eric:
“I appreciated the tip about “abandon the search for the perfect setup.” I’ve been using that as an excuse to procrastinate [about doing my practice.] I live in a small camper van 3 days a week, and the “setup” inside is anything but perfect for dancing! But last night I fired up your Week 1 video [Move with Me] on my Android phone inside the RV, and found myself flailing about happily in the limited space. Read more
Observing is a good way to learn. Listening with stitched lips, wakeful eyes, and quivering ears brings magic into your life.” —Fatima Mernissi, Moroccan feminist scholar, Dreams of Trespass
Leading and Following—powerful, powerful, powerful—is fundamental to Dancemeditation training. It quiets the monkey mind. It teaches us how to hear the Divine. Big claim, but true. Read more
“What happens in that passage between the subsiding of the movement and the beginning of deep rest?” That is the study question I asked my NYC Dervish Dancemeditation group in last week’s session. The perfume of a meditation period—from The Rosebush story—is most palpable in the stillness and inner gaze during the Deepening Phase that follows the active Effort Phase. (Three Phases of Deepening: Effort, Expansion, Deepening)
Here are a Sri Prem Baba’s thoughts, that are may be relevant: “Perhaps one of the main challenges for the spiritual seeker is the impulse to keep doing things. The ego always wants to do something, but there comes a time when there is nothing else that can be done. One simply needs to stop and quiet down, which will enhance one’s perception of the truth.” Read more
The most Rapid Method of spiritual development? Keep reading. Here it is.
My teacher called his Sufi training method Shattari—the Rapid Method. It was a wild ride! This is the spiritual lineage of Dervish Dancemeditation. Embodied spiritual development moves us quickly and fully through the stations of spiritual path. This is because it is embodied, and body truth is not the same as mind truth. Bodies are complex, ahead of any game the mind can devise. The body’s doorways to the mystical center are infinite, swift and full. Read more
Emailing with friend, Maggie, about the recent Dervish Dancemeditation weekend in Asheville where 5 Rhythms is regularly practiced—she mentioned that she loved Lyrical—I wrote this in agreement: I find the Curvilinear Flow—my preferred descriptor for Lyrical (the 5 Rhythms aren’t actually rhythms but textures)—is certainly my native movement habitat. Since it benefits the entire fascial system, if I had to take one movement arena to a desert island, it would be Curvilinear Flow. I shot that off in email, then afterward got to thinking about verbal cues for movement and what they invite. Read more
There are only two directions in life: Soul Killing life and Soul Developing. Each is a choice. Each takes a long time. One is mostly passive while the other requires effort. Though Soul Killing is smooth slide into Lethe, it is littered with clues. You get heavier and heavier. Poison seeps into your pores, drips liquid lead into your tender lung sacks, hardening and stilling their swell. You hardly breathe. You can barely move in your flesh tomb. So you grind to a halt. Or run maniacally away from yourself. Busy busy. Your heart slams and rattles ever more weakly against the dungeon wall of you. Your body is one tremendous clue: if you hate it, if you feel numb to it, if you barely know you have it, and if you even exist thinking of your body as “it”, you are in Soul Killing.
Soul Developing is a conscious act every step of the way. Read more