The cycle of light and dark means we are turning as Earth—a dervish—faces the sun then the wide cosmos. The salubrity in light and dark is a matter of degree; bright light and blinding light, soft dark and blinded dark. Dusk. Closed eyes. Sleep. Hiding. Beneath a crust of autumn leaves tiny shoots grow. In shadowed places are freedom, gestation, peace, recovery, quiet, liberation, respite. Read more
After a week at Ravenrock, safely sequestered in off-grid wilds away from discord and furor, I have quieted down internally enough to experience stillness. The natural world has pushed aside the ephemera lurking on my phone. Here, Stillness is enormous. Stillness is an Entity, like a great Greek god-head of wind. It carts my buzz into the clouds, scatters it over the canyon. Finally, I am touched by Stillness, wrapped in Stillness. My change begins. Read more
It has been a while since I’ve been able to write a post, but I found this scrap in my journal and it opened something about chaotic, uncertain inner periods.
“In creative process, there is the inland sea and there is the book or dance or symphony—masterpieces, competencies, mediocrities—that litter the beach to be seen, to be turned over, to be heard. Art is the jetsam of the great submergence.” Read more
Dancemeditation is to the Body what dreaming is to the Mind.
I would hate to never dream…I love to wake and wonder where I’ve been, grasping at dim air, fading figures amused at my futile attempts to catch their tail. I love the improbability of making sense of their portentous magic that flattens and dulls as I note it in my journal or recount it to a friend. Lost is the weave of one place tucked into another, actions looped and looped, tunnels of dense color, haunting fragments, timelines crossed. Dreams come while we lie still, our bodies suspended in sleep while our minds journey far and wide. What if the reverse happened? Read more
Many people have asked about my recent performance—my first post-surgery—in NYC on Anahid Sofian’s “Atelier Orientale: Of Poets and Mystics”, a mixed program of legendary dancers and musicians. It was the beginning of a new phase of work for me. Below are program notes, description, and the prologue story text. Read more
My practice yesterday evening…
The sun had just set. Outside, a frigid wind pummeled the house. Inside, I danced for 40 minutes then lay down under a pile of sheepskins while dance tracks—Sheesha Lounge—bounced softly around. Out of nowhere, a casual, offhand invitation arose for one of my most significant sexual partners (why was he still lingering in me?) to leave my body. Then a sequence of invitations—please, I invite you to leave words came on their own yet from me to what was, apparently, in me. Long-term boyfriends, one night stands, two ex-husbands, and finally, after a bit of coaxing, abusive partners. Each went in a faint puff of the relationship’s predominant tone. One by one by one by one…I had to be patient with this ceremonial retinue of fleshy intimacies. The occupying armies departing after many years. Read more
Thoughts on meditating—an oxymoron.
I recently came across the term ‘constructed self’ and felt how well it catches the sense of personal identity we all more or less consciously cobble together. Ego, persona, astrological sign, enneagram type, and any other system of human definition can be tossed right in there. We maneuver through the world using constructed self to deal, choosing shoes, jackets, apples or pasta, homes, partners, jobs, hobbies, pets. Are you a dog person or a cat person? Read more
In case you are meeting me for the first time, I tend to write about my Dancemeditation practice and Path—what comes up, what happens inside me, why I resist, etc. At the moment, it’s about how to survive in troubled times with a little help…
Surviving in Troubled Times
I’ve always loved sheepskins. They are some sort of perfect. For the past few years I have depended on them at Ravenrock which has no thermostat. When temperatures abruptly drop, I stoke the wood stove and curl up on my cozy sheepskin. This winter I am on Cape Cod—cold, damp bone-chill. I bought a quarto (four sheepskins sewn together) to do my practice. Read more
This past New Year’s Eve—my first New Year’s Eve on the Earth without parents—I decided that I needed above all else to do a Sufi Dancemeditation session to set my course. I could have rented a studio locally or in Boston, but a sweep of intuition pushed me to offer it in Woods Hole in the house I inherited from my parents. What would that require? This house needed to fit who I have been becoming all my life and am continue to become. It needed to become my beautiful Home Studio. Read more